All Napoletano, Filippo's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
19605  
Napoletano, Filippo, Cooler
  		Cooler 1617-21 Oil on canvas Palazzo Pitti, Florence.
28958  
Napoletano, Filippo, Cooler
  		Cooler mk65 Oil on canvas 14 9/16x18 1/8in Pitti
45587  
Napoletano, Filippo, Kubler, pleased with fruits
  		Kubler, pleased with fruits mk186 around 1620 Florence, Palazzo Pitti
19603  
Napoletano, Filippo, Landscape with Ruins and Figures
  		Landscape with Ruins and Figures copper Mus??e du Louvre, Paris.
20350  
Napoletano, Filippo, Landscape with Ruins and Figures (mk05)
  		Landscape with Ruins and Figures (mk05) Copper,14 x 17 1/2''(35 x 45 cm)Given by L'Office des Biens Prives in 1951 M.N.R.723(MN)
19602  
Napoletano, Filippo, The Alchemist
  		The Alchemist Oil on canvas Palazzo Pitti, Florence.
28959  
Napoletano, Filippo, The Alchemist
  		The Alchemist mk65 Oil on canvas 36 1/4x53 1/8in Pitti
30003  
Napoletano, Filippo, The Temptation of St.Anthony
  		The Temptation of St.Anthony mk67 Oil on pietra paesina 12 5/8x12 3/16in Pitti,Palatine Gallery
19604  
Napoletano, Filippo, Two Shells
  		Two Shells Oil on canvas Palazzo Pitti, Florence.
30002  
Napoletano, Filippo, Two Shells
  		Two Shells mk67 Oil on canvas 15 3/8x22 1/16in
Napoletano, Filippo
Italian, approx. 1587-1629 Italian painter and engraver. From 1600 until at least 1613 he was in Naples, where the naturalism of landscape painters from northern Europe, particularly Paul Bril, Goffredo Wals ( fl 1615-31) and Adam Elsheimer, influenced his early development. After 1614 he was in Rome and became acquainted with the landscapes and seascapes of Agostino Tassi. In 1617 Cosimo II de' Medici summoned him to Florence, where he worked closely with Jacques Callot. Filippo sketched in the Tuscan countryside, and pen-and-wash drawings such as the Landscape with a Rustic House (Florence, Uffizi) capture effects of bright sunlight. He developed a new kind of realistic landscape, showing small scenes that suggest the charm of country life; examples are the Country Dance (1618; Florence, Uffizi), the Mill (Florence, Pitti) and the Fair at Impruneta (Florence, Pitti). In 1620-21 he produced a series of etchings of Skeletons of Animals, dedicated to the scientist Johann Faber, and in 1622 twelve etchings of Caprices and Military Uniforms (signed Teodor Filippo de Liagno).



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